Member-only story

Thoughts

Jaida Williams
4 min readJun 26, 2020

--

Photo by Jaida Williams

She suspects she has only ever had one true affair with the knife, and all those since have been meager attempts at regurgitation, petty rivalries born of intention and tainted by the anticlimax of recreation. She sits daily watching the synthetic roses, virulent with red, fluoresce persistently on the porch. Moth-bitten, with broken stems and a hairline crack running the length of the ceramic pot that marks their station on the brick step. She sits observing their activity, disassociates herself from the solemn sermon their blushing heads deliver, ducking in the wind. Waiting for something to happen. She has lost, or perceives she has lost (and looks for death on the horizon because she fears she has lost) the ability to make things occur. How useful youth was in the day-to-day creation of happenings. Now she has displaced the seasons, and the pleasant expanse of nothingness, a featureless backdrop, assimilates itself to her emotionless countenance, as she welcomes the weather.

Her father’s house, in the town. Its healthy walls, its strong bone structure. She found it easily, buried knee-deep in the liquid winter, and inquired of the locals as to whether anyone currently resided there. They regarded her, not more obliging than they were wary, with the heavy, knowing gaze of people carrying the burden of the past — both pervasive and private. Her accent was rusty, the native tongue had long since been liberated — a stray cut…

--

--

Responses (2)